A rooftop party for two, a brother and sister celebrate their love. She has escaped from a violent husband but her scars run deep. She makes the ultimate choice.

暂无剧情简介

暂无剧情简介

This film is a montage that in a very oblique way suggests a narrative. So, one hopes it is engaging one’s intuition rather than, say, cognition. Coming from the world of visual art, I embrace the imperative that visual art is a sovereign language. Ideally, a person reacts to a painting free of instructions, information or intent on the part of the artist. The painting speaks to you … or it doesn’t. Information accompanying a work of art corrupts the moment one becomes engaged with the art. While i was working on you thRill me, I was thinking: “this is either a baroque fairy tale or a drawing.”

When Linnea leaves Birk in Oslo to chase her dreams abroad, the distance slowly unravels their relationship. A long-awaited visit reveals that their love has faded, leaving them more as strangers instead of lovers.

Few American journalists have had a career as trailblazing and transformative as Barbara Walters, whose astonishing life and work are recounted in her own words in this raw, intimate, decades-spanning doc.

A World War 1 Romantic Ghost Story. In the mystery-romance, Facinelli will play Samuel, an American officer who is shot while fighting on the front line in 1918 France. The soldier “makes a bargain with the ‘Almighty’ to return to his bride in England, until the last bell tolls”. 　　Director Simon Hunter commented: “It’s a unique and beautiful script. A sensual and romantic ghost story set in the dark days of World War One. The story deals with loss and how to let go of the ones you have loved.

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Love, relationships, family life and having children. Personal stories reflecting on the biggest milestones in life, as seen from the perspectives of different faiths.

'Love That For Me' is an hour long Edinburgh Fringe show I performed in 2023. 　　It's about a bit of a mental year I had after a big break up. I loved doing this show, it sold out at the Fringe and the Glasgow Comedy Festival and I got to do it at Soho Theatre which was cool. It got good reviews, with WeeReview calling it "an hour of non-stop gags" and the Sunday Post calling it "an hour of near non-stop laughs" which is only slightly less good. 　　This filmed version was recorded on a kinda cold-ass Tuesday night at Monkey Barrel. I kinda wish I'd been able to have another go at it for a few reasons but alas this is it now existing forever, warts 'n all. I was planning on sitting on it to be honest but Marc (very kindly) bullied me into sharing it, so here it is. 　　It was filmed by Conor Reilly and edited by Stu Dougan, two good men you can set your watch to. The music was ripped off a royalty free bossa nova Youtube-to-mp3 converter. 　　See you round the clubs, 　　Stu